As far as my knowledge is concerned, it’s purely Pro Tools software that serves as a constant in professional studios across the globe. This industry-standard DAW is more powerful and flexible than ever before. Any individual can choose his own audio interface to record into Pro Tools 9 – or mix on the go, without using any interface. The hardware doors are wide open, enabling maximum flexibility to record the way as desired. This is just one of the many exciting features in the completely re-architected version of Pro Tools. With Avid Pro Tools 9 student, all of the highly regarded creative and production power is obtained, which has really made Pro Tools the DAW of choice for top engineers and producers, including over 70 first-class virtual instruments and processing plug-ins to shape the emerging sound but this new version of Pro Tools is truly in a class of its own. Avid has been all around, packing in a number of the most widely requested enhancements as well as absolute surprises to unveil this particular game-changing release. Apart from the open support provided by the audio interface, Avid Pro Tools 9 student is featured with Automatic Delay Compensation for saving time. It was formerly regarding the HD-only feature, Automatic Delay Compensation used to allow the user to stack up instances of the plug-ins during the workflow, without ever needing to nudge tracks for perfect phase alignment.
I recommend everyone to log on to http://www.studica.com/Avid/avid_pro_tools_9.html to explore more wonders created by this tool.
